1
00:00:14,333 --> 00:00:17,334
MOM, YOU'RE HOME EARLY.
2
00:00:17,402 --> 00:00:20,270
JAKE, ARE YOU EATIN' COOKIES?
3
00:00:20,339 --> 00:00:21,938
SOMEBODY WAS.
4
00:00:23,175 --> 00:00:25,909
I'M PUTTING THESE BACK.
5
00:00:30,583 --> 00:00:32,649
HEY, MRS. H. WHAT'S FOR DINNER?
6
00:00:32,718 --> 00:00:34,838
I GOT FIRED FROM MY JOB TODAY.
7
00:00:36,021 --> 00:00:38,054
WHAT HAPPENED?
8
00:00:38,123 --> 00:00:40,123
DID YOUR BOSS
SEXUALLY HARASS YOU?
9
00:00:40,192 --> 00:00:44,394
DID HE CALL YA TOOTS OR
HONEY OR TOUCH YOU LIKE THIS?
10
00:00:44,463 --> 00:00:46,463
BECAUSE IF HE DID,
11
00:00:46,531 --> 00:00:49,533
WE ARE TALKIN' BIG COIN.
12
00:00:50,869 --> 00:00:53,870
NO. I CALLED HIM
A MONKEY'S BUTT.
13
00:00:56,041 --> 00:00:58,609
AH, THAT'S OKAY.
14
00:00:58,677 --> 00:01:00,844
OH, FOR FUTURE REFERENCE,
15
00:01:00,913 --> 00:01:03,380
THE ONE MOMENT OF
JOY THAT YOU FEEL...
16
00:01:03,448 --> 00:01:05,448
WHEN YOU TELL OFF YOUR BOSS...
17
00:01:05,518 --> 00:01:07,518
ISN'T WORTH IT.
18
00:01:09,054 --> 00:01:11,989
COME ON, MOM. LOOK
AT THE BRIGHT SIDE.
19
00:01:12,057 --> 00:01:15,292
- WHAT BRIGHT SIDE?
- YOU'RE HOME EARLY.
20
00:01:16,962 --> 00:01:18,895
LITTLE HELP?
21
00:01:18,964 --> 00:01:21,398
COME ON. BUCK UP, CAMPER.
22
00:01:21,467 --> 00:01:25,636
IF ANYBODY KNOWS THAT THERE'S A
BRIGHTER SIDE TO LOSIN' THEIR JOB, IT'S ME.
23
00:01:25,705 --> 00:01:28,405
AND HEY. I DIDN'T LOSE
SOME CRUMMY OFFICE JOB.
24
00:01:29,975 --> 00:01:32,576
I LOST MY LIFE'S PASSION.
25
00:01:32,645 --> 00:01:34,911
AND?
26
00:01:34,980 --> 00:01:38,225
WELL, WHEN MY FOOTBALL CAREER
WENT UP IN SMOKE, YOU TOLD ME...
27
00:01:38,249 --> 00:01:40,662
THAT JUST LEAVES ME OPEN
FOR SOMETHING BETTER.
28
00:01:40,686 --> 00:01:44,321
GRANTED, THAT HASN'T HAPPENED
YET, BUT I'M STILL HOPEFUL.
29
00:01:44,390 --> 00:01:48,258
YES, MOM, AND YOU SHOULD BE, TOO,
BECAUSE YOU ARE TALENTED AND FANTASTIC.
30
00:01:48,327 --> 00:01:50,994
- AW.
- YES. AND I WANT YOU TO
MARCH RIGHT UPSTAIRS,
31
00:01:51,062 --> 00:01:53,396
GET IN A HOT BATH AND RELAX...
32
00:01:53,465 --> 00:01:56,866
BECAUSE YOU GOT NOWHERE
TO GO EXCEPT UP, LADY!
33
00:02:00,305 --> 00:02:02,283
YOU'RE RIGHT. YEAH.
34
00:02:02,307 --> 00:02:04,819
WHEN ONE DOOR CLOSES, ANOTHER
DOOR OPENS. THANKS, GUYS. AMEN.
35
00:02:04,843 --> 00:02:06,276
LOVE YOU.
36
00:02:07,579 --> 00:02:10,347
AW, HONEY. I REALLY THINK
YOU LIFTED HER SPIRITS.
37
00:02:10,415 --> 00:02:13,450
YEAH. WELL, BETTER
GET USED TO IT.
38
00:02:13,518 --> 00:02:16,753
WE'RE GONNA BE CARRYING THAT
DEAD WEIGHT FOR THE REST OF OUR LIVES.
39
00:02:20,425 --> 00:02:22,125
HA, HEY!
40
00:02:22,194 --> 00:02:24,928
♪ MY ROOTS ARE
PLANTED IN THE PAST ♪
41
00:02:24,997 --> 00:02:27,364
♪ THOUGH MY LIFE
IS CHANGING FAST ♪
42
00:02:27,433 --> 00:02:31,434
♪ WHO I AM IS WHO I WANT TO BE ♪
43
00:02:31,503 --> 00:02:34,238
♪ A SINGLE MOM WHO
WORKS TOO HARD ♪
44
00:02:34,306 --> 00:02:36,974
♪ WHO LOVES HER
KIDS AND NEVER STOPS ♪
45
00:02:37,042 --> 00:02:38,609
♪ WITH GENTLE HANDS ♪
46
00:02:38,677 --> 00:02:40,544
♪ AND THE HEART OF A FIGHTER ♪
47
00:02:43,381 --> 00:02:47,183
♪ I'M A SURVIVOR ♪♪
48
00:02:57,329 --> 00:02:59,896
- HEY, MOM.
- HEY.
49
00:02:59,965 --> 00:03:01,965
SO, I HEARD YOU GOT
FIRED FROM YOUR JOB.
50
00:03:02,034 --> 00:03:04,601
NEED A HUG?
51
00:03:04,670 --> 00:03:06,636
I DON'T KNOW. WHAT'S IT PAY?
52
00:03:06,705 --> 00:03:09,005
YOU KNOW, I WAS THINKING,
53
00:03:09,074 --> 00:03:11,954
SINCE MONEY'S GONNA BE KIND OF TIGHT
AROUND HERE, MAYBE I COULD HELP OUT.
54
00:03:14,613 --> 00:03:17,547
SEE, THERE'S THIS OPEN MIKE
NIGHT AT A CLUB DOWNTOWN,
55
00:03:17,616 --> 00:03:19,817
AND, IF MY BAND WINS,
WE GET A HUNDRED BUCKS.
56
00:03:19,885 --> 00:03:21,818
WAIT A MINUTE.
57
00:03:21,887 --> 00:03:24,120
ARE YOU ASKIN' ME IF
YOU CAN GO TO A CLUB?
58
00:03:24,189 --> 00:03:27,290
I'M ASKING IF I CAN
SHOW MY FAMILY I CARE.
59
00:03:29,361 --> 00:03:31,594
BY PLAYIN' MUSIC IN A CLUB? NO.
60
00:03:31,663 --> 00:03:34,898
- WHY NOT?
- BECAUSE CLUBS ARE
SEEDY AND DANGEROUS.
61
00:03:34,967 --> 00:03:36,966
AT LEAST THE FUN ONES ARE.
62
00:03:37,035 --> 00:03:41,471
BUT MUSIC IS IMPORTANT TO ME. I
FINALLY FOUND SOMETHING I CARE ABOUT.
63
00:03:41,540 --> 00:03:44,541
I'M VERY HAPPY ABOUT
THAT, SWEETIE. I REALLY AM.
64
00:03:44,610 --> 00:03:48,278
BUT YOU CAN'T GO BY
YOURSELF, AND I CAN'T GO WITH YA.
65
00:03:48,347 --> 00:03:51,515
FINE. I'LL BE AT MY HOUSE,
SELLING MY GUITAR ON eBay.
66
00:03:52,951 --> 00:03:55,618
- HEY.
- VAN, I NEED YOU
TO DO ME A FAVOR.
67
00:03:55,687 --> 00:03:58,527
- YOU GOT IT. ANYTHING AT ALL.
- I NEED YOU TO GO WITH
KYRA TOMORROW...
68
00:03:58,590 --> 00:04:00,668
'CAUSE SHE'S GONNA PLAY
IN A CONTEST WITH HER BAND.
69
00:04:00,692 --> 00:04:02,392
AW, COME ON!
70
00:04:02,461 --> 00:04:04,327
NO WAY.
71
00:04:04,396 --> 00:04:07,697
HE GOES WITH YA, KEEPS AN EYE
ON YA AND BRINGS YOU BACK HOME.
72
00:04:07,766 --> 00:04:09,699
- THOSE ARE MY CONDITIONS.
- FINE.
73
00:04:09,768 --> 00:04:13,169
BUT WHEN I'M A HUGE ROCK STAR, ONE OF
THOSE SECURITY GUYS IS GONNA BABYSIT YOU.
74
00:04:15,941 --> 00:04:18,008
MRS. H, DON'T MAKE ME DO IT.
75
00:04:18,077 --> 00:04:21,144
THEY'RE NOT EVEN A REAL
BAND. THEY'RE POSERS.
76
00:04:21,213 --> 00:04:24,414
THEY'RE LIKE... THEY'RE LIKE
THE FLAG FOOTBALL OF MUSIC.
77
00:04:24,483 --> 00:04:26,349
HEY, YOU OFFERED TO HELP.
78
00:04:26,418 --> 00:04:29,253
BECAUSE I THOUGHT YOU WERE GONNA
ASK ME TO DO THE DISHES OR SOMETHING.
79
00:04:29,321 --> 00:04:32,001
I NEED YOU TO DO THE
DISHES TOO. AW, COME ON!
80
00:04:34,626 --> 00:04:38,094
OH, YOU POOR THING.
81
00:04:38,163 --> 00:04:41,931
IT BROKE OUR HEARTS WHEN
WE HEARD YOU GOT THE BOOT.
82
00:04:42,000 --> 00:04:44,600
NOT THAT WE WERE SURPRISED.
83
00:04:44,670 --> 00:04:46,837
YOU'VE ALWAYS BEEN
FULL OF THE SASS.
84
00:04:51,509 --> 00:04:54,511
HEY, I HAD A GREAT
ATTITUDE AT THAT JOB.
85
00:04:54,579 --> 00:04:56,779
JUST KEPT IT ON THE HUSH-HUSH.
86
00:04:56,848 --> 00:05:00,217
WELL, I BAKED YOU THIS TO GET
YOU THROUGH THE HARD TIMES.
87
00:05:00,285 --> 00:05:02,352
GRANNY CALLS IT "PITY PIE."
88
00:05:02,420 --> 00:05:04,454
BECAUSE WE GIVE IT
TO PEOPLE WE PITY.
89
00:05:07,692 --> 00:05:10,227
AND IT'S PIE.
90
00:05:10,295 --> 00:05:12,596
SO, HAVE YOU DECIDED
WHAT YOU'RE GONNA DO NOW?
91
00:05:12,664 --> 00:05:14,643
OH, I KNOW EXACTLY
WHAT I'M GONNA DO.
92
00:05:14,667 --> 00:05:17,779
REMEMBER BACK WHEN I GOT MY REALTOR'S
LICENSE, BUT THEN I GOT PREGNANT WITH JAKE?
93
00:05:17,803 --> 00:05:19,569
REBA!
94
00:05:19,637 --> 00:05:24,074
GOOD LORD. DO YOU REALLY THINK THIS
IS THE RIGHT TIME TO HAVE ANOTHER BABY?
95
00:05:30,782 --> 00:05:34,251
I'M GONNA SELL REAL ESTATE.
YEAH. YEAH. I DO REMEMBER THAT.
96
00:05:34,319 --> 00:05:37,320
I ALSO REMEMBER THAT YOU HAD A
HARD TIME GETTING A REAL ESTATE JOB...
97
00:05:37,389 --> 00:05:39,388
BECAUSE YOU DIDN'T HAVE
ANY EXPERIENCE SELLING.
98
00:05:39,457 --> 00:05:44,895
RIGHT. BUT THIS TIME, I'M GONNA AVOID
THAT PROBLEM BY SELLING SOMETHING FIRST.
99
00:05:44,963 --> 00:05:47,043
WELL, HOW IN THE WORLD
ARE YOU GONNA DO THAT?
100
00:05:47,098 --> 00:05:49,059
WHERE YOU GONNA FIND
SOME POOR SAP WHO'LL LET
101
00:05:49,083 --> 00:05:51,067
YOU SELL HIS PROPERTY
WITHOUT ANY EXPERIENCE?
102
00:05:51,136 --> 00:05:55,439
WELL, DO Y'ALL STILL HAVE THAT CONDO THAT
BROCK WAS LIVIN' IN DURING THE SEPARATION?
103
00:05:55,507 --> 00:05:58,875
- OH, NO.
- OH, YES!
104
00:05:58,943 --> 00:06:01,063
SAY HELLO TO YOUR NEW REALTOR.
105
00:06:02,314 --> 00:06:04,014
ME. SAY HELLO TO ME.
106
00:06:04,083 --> 00:06:08,285
OH, MY GOSH. THIS
IS A BRILLIANT IDEA.
107
00:06:08,353 --> 00:06:10,320
YOU CAN BE REBA THE REALTOR.
108
00:06:10,389 --> 00:06:13,223
OR, IN ESPAÑOL...
109
00:06:13,292 --> 00:06:16,592
REBA, LA REALTOR.
110
00:06:18,764 --> 00:06:21,884
WHAT DO YOU THINK, BROCK? I MEAN,
YOU DON'T NEED THAT PLACE ANYMORE.
111
00:06:21,934 --> 00:06:24,600
AND BARBRA JEAN'S BEEN BUGGIN'
YOU ABOUT GETTING RID OF IT.
112
00:06:24,669 --> 00:06:28,104
- COME ON. GIVE ME
A SHOT AT SELLIN' IT.
- I LOVE THIS IDEA.
113
00:06:28,173 --> 00:06:31,774
REBA CAN HOLD THE OPEN HOUSE, AND...
AND WE'LL GET A DISCOUNT ON THE COMMISSION.
114
00:06:31,844 --> 00:06:34,155
- EVERYBODY WINS.
- WELL, WAIT A MINUTE. I DIDN'T SAY...
115
00:06:34,179 --> 00:06:36,346
REBA, CÁLLATE.
116
00:06:40,586 --> 00:06:43,519
OH, VAN AND KYRA ARE BACK.
117
00:06:43,589 --> 00:06:47,390
YOU WOULD NOT BELIEVE HOW MUCH HE
COMPLAINED ABOUT TAKING HER TO THAT CLUB.
118
00:06:50,295 --> 00:06:53,095
VAN, ARE YOU OKAY?
119
00:06:53,164 --> 00:06:55,164
OH. HOW WAS THE BAND?
120
00:06:55,233 --> 00:06:58,968
IT... WAS...
121
00:06:59,037 --> 00:07:01,038
AWESOME.
122
00:07:03,742 --> 00:07:06,977
- IT WAS?
- KYRA WAS AMAZING.
123
00:07:07,045 --> 00:07:09,791
WHEN SHE FIRST STEPPED UP TO
THE MIKE, SHE WAS A LITTLE QUIET,
124
00:07:09,815 --> 00:07:11,915
AND I THOUGHT, "UH-OH. CHOKE."
125
00:07:11,984 --> 00:07:14,351
BUT THEN SHE SMILED
AND LIT UP THE STAGE.
126
00:07:14,419 --> 00:07:17,053
WAIT A MINUTE. KYRA SMILED?
127
00:07:19,057 --> 00:07:20,991
- AND LIT UP THE STAGE?
- YES.
128
00:07:21,059 --> 00:07:25,395
AND THEN SHE WAS ALL, "HELLO,
HOUSTON!" AND WE WERE ALL, "HELLO!"
129
00:07:25,463 --> 00:07:29,766
AND THEN SHE WAS, LIKE, "ARE YOU READY TO
ROCK AND ROLL?" AND WE WERE, LIKE, "YEAH!"
130
00:07:29,835 --> 00:07:32,401
THEN THE BAND STARTED PLAYING,
AND THEN KYRA STARTED SINGING,
131
00:07:32,470 --> 00:07:35,939
AND IT WAS AWESOME.
132
00:07:38,777 --> 00:07:42,023
WE WOULD HAVE WON, EXCEPT THERE
WAS AN ALL-GIRL BAND CALLED THE BIKINIS.
133
00:07:42,047 --> 00:07:44,047
GUESS WHAT THEY WERE WEARING.
134
00:07:46,451 --> 00:07:48,491
YEAH, BUT THAT'S
NOT THE WORST PART.
135
00:07:48,520 --> 00:07:50,519
THEY WEREN'T AN ALL-GIRL BAND.
136
00:08:02,634 --> 00:08:04,767
WELCOME. HERE YOU GO.
137
00:08:04,836 --> 00:08:08,738
LOOK AROUND. COOKIES ARE RIGHT
OVER THERE. MAKE YOURSELF AT HOME.
138
00:08:08,807 --> 00:08:12,375
HEY, REBA. HOW'S IT GOIN'?
GREAT. COULDN'T BE BETTER.
139
00:08:13,745 --> 00:08:16,057
YEAH. I THINK IT COULD. YEAH.
140
00:08:16,081 --> 00:08:18,092
WHICH IS WHY I AM HERE TO HELP.
141
00:08:18,116 --> 00:08:20,127
GUESS WHAT YOU
DON'T KNOW ABOUT ME.
142
00:08:20,151 --> 00:08:23,920
THAT YOU'RE ACTUALLY TWO CRAZY
PEOPLE, ONE ON TOP OF THE OTHER?
143
00:08:23,989 --> 00:08:26,222
HA! HA!
144
00:08:26,291 --> 00:08:28,269
GOOD ONE.
145
00:08:28,293 --> 00:08:30,927
GROWING UP, MY DADDY
OWNED A USED CAR LOT.
146
00:08:30,996 --> 00:08:33,563
AND EVERY DAY AFTER SCHOOL,
I WOULD STAND OUT FRONT...
147
00:08:33,631 --> 00:08:37,100
WEARIN' A BEAR SUIT AND
HOLDIN' A GIANT RED ARROW.
148
00:08:37,168 --> 00:08:41,804
I BROUGHT IN TWICE AS MANY CUSTOMERS
AS THOSE CREEPY BLOW-UP DOLLS.
149
00:08:41,873 --> 00:08:43,874
YOU KNOW...
150
00:08:49,815 --> 00:08:51,893
YEAH. YEAH. YEAH.
YEAH. OKAY. RIGHT.
151
00:08:51,917 --> 00:08:54,217
I GET IT. I GET IT. OKAY. OKAY.
152
00:08:55,887 --> 00:08:57,732
BARBRA JEAN, LOOK.
I DON'T THINK... SHH!
153
00:08:57,756 --> 00:08:59,956
I'M NOT BARBRA JEAN.
154
00:09:00,024 --> 00:09:05,695
I'M AN INTERESTED CUSTOMER, GOIN'
ROOM TO ROOM, TALKIN' THE PLACE UP, OKAY?
155
00:09:05,764 --> 00:09:08,198
WATCH AND LEARN.
156
00:09:10,435 --> 00:09:12,502
OH, MY GOSH!
157
00:09:12,571 --> 00:09:17,373
I CAN'T BELIEVE THEY TAPED
THE SURREAL LIFE HERE.
158
00:09:18,977 --> 00:09:22,312
IT'S ALMOST LIKE YOU CAN
STILL SMELL ERIK ESTRADA.
159
00:09:22,381 --> 00:09:26,016
OH, WOW.
160
00:09:26,084 --> 00:09:29,953
NO WAY! AN UPSTAIRS?
161
00:09:33,024 --> 00:09:36,560
- I'M SORRY. SORRY.
- HEY, REBA. HOW'S IT GOIN'?
162
00:09:36,628 --> 00:09:39,829
AH, WELL, YOU JUST MISSED
THE BIG BLONDE BALLOON LADY.
163
00:09:39,898 --> 00:09:44,367
OH. WELL, KEEP UP THE
GOOD... OOH, COOKIES.
164
00:09:44,436 --> 00:09:48,237
HEY. I GOT SOME GREAT NEWS. I WAS
GONNA TELL YOUR WIFE, BUT SHE'S NUTS.
165
00:09:48,306 --> 00:09:50,340
I GOT AN OFFER.
REALLY? A GOOD ONE?
166
00:09:50,408 --> 00:09:53,843
I THINK IT'S A GOOD ONE. IT'S NOT WHAT
YOU WERE ASKIN', BUT... I'M NOT INTERESTED.
167
00:09:55,646 --> 00:09:58,648
YOU DIDN'T LET ME FINISH. WELL,
IS IT MORE THAN WHAT I'M ASKING?
168
00:09:58,716 --> 00:10:00,895
NO, BUT YOU'RE NOT GONNA
GET... THEN I'M NOT INTERESTED.
169
00:10:00,919 --> 00:10:03,453
BROCK. NO, REBA. COME ON.
170
00:10:03,522 --> 00:10:06,756
I HIRED YOU TO SELL THE
PLACE, NOT GIVE IT AWAY. LOOK.
171
00:10:06,825 --> 00:10:11,360
ANYONE CAN GET LESS MONEY. A GOOD
SALESPERSON CAN ACTUALLY GET MORE.
172
00:10:11,429 --> 00:10:15,397
SEE, THIS IS WHY I
WANTED A PROFESSIONAL.
173
00:10:18,302 --> 00:10:21,203
WHAT YOU WANT IS TO
GET OFF MY LAST NERVE.
174
00:10:22,807 --> 00:10:26,209
YOU'RE ASKIN' TOO MUCH,
AND THAT WAS A GOOD OFFER.
175
00:10:26,278 --> 00:10:30,614
SO I'M HEARING THAT YOU
ARE NOT A GOOD SALESPERSON.
176
00:10:30,682 --> 00:10:34,283
SO I'M HEARING YOU'RE
A MONKEY'S BUTT.
177
00:10:35,821 --> 00:10:37,832
I'M SORRY. WHAT'D YOU SAY?
178
00:10:37,856 --> 00:10:41,558
WELL, MAYBE YOU'D HAVE BEEN ABLE TO HEAR
ME IF THERE WERE EARS ON A MONKEY'S BUTT.
179
00:10:41,627 --> 00:10:44,894
OKAY. WHY DON'T YOU CALL
ME THAT JUST ONE MORE TIME?
180
00:10:44,962 --> 00:10:46,930
DON'T YOU TELL ME WHAT
TO DO, MONKEY'S BUTT.
181
00:10:46,998 --> 00:10:50,233
ALL RIGHT. THAT'S IT.
YOU'RE FIRED! OH, FINE!
182
00:10:50,302 --> 00:10:53,235
YOU KNOW THE THREE RULES OF REAL
ESTATE? DON'T WORK FOR A MONKEY'S BUTT.
183
00:10:53,304 --> 00:10:57,206
DON'T WORK FOR A MONKEY'S BUTT.
DON'T WORK FOR A MONKEY'S BUTT!
184
00:11:14,359 --> 00:11:17,928
HEY, MOM. HOW'S THE OPEN HOUSE
GOING, AND SHOULDN'T YOU BE THERE?
185
00:11:17,996 --> 00:11:19,930
NOPE. YOUR DAD FIRED ME.
186
00:11:19,998 --> 00:11:21,798
WHAT? WHAT HAPPENED?
187
00:11:21,866 --> 00:11:25,447
I HAD HIM A GREAT OFFER. BUT YOUR
FATHER WAS TOO STUPID TO ACCEPT IT.
188
00:11:25,471 --> 00:11:29,005
AND AFTER I TOLD HIM SO
REPEATEDLY, HE FIRED ME.
189
00:11:29,074 --> 00:11:31,341
YOU JUST CAN'T WORK
WITH SOME PEOPLE.
190
00:11:32,811 --> 00:11:35,645
- SO YOU ARGUED WITH HIM?
- WELL, HONEY,
191
00:11:35,714 --> 00:11:37,647
SOMETIMES YOU HAVE
TO ARGUE WITH 'EM.
192
00:11:37,716 --> 00:11:39,860
OTHERWISE, THEY'LL GO
ON THINKIN' THEY'RE RIGHT.
193
00:11:39,884 --> 00:11:42,552
I CAN'T BELIEVE THE
LUCK I'VE HAD THIS WEEK.
194
00:11:42,621 --> 00:11:45,701
WELL, DID YOU EVER THINK THAT
MAYBE IT WASN'T LUCK? MAYBE IT'S YOU.
195
00:11:50,228 --> 00:11:53,996
LUCKY FOR YOU ELIZABETH IS HERE.
196
00:11:54,065 --> 00:11:58,000
SO GRANDMA CAN'T USE
HER "BIG PEOPLE" WORDS.
197
00:11:58,069 --> 00:11:59,904
DO YOU REMEMBER WHAT
YOU TOLD ME WHEN I TOLD
198
00:11:59,928 --> 00:12:01,871
YOU THE TEACHERS AT
SCHOOL WERE PICKIN' ON ME?
199
00:12:01,940 --> 00:12:04,841
- "GOOD FOR THEM"?
- NO.
200
00:12:04,910 --> 00:12:07,677
YOU SAID, BEFORE I GO
BLAMING OTHER PEOPLE,
201
00:12:07,746 --> 00:12:09,812
I SHOULD TAKE A
LOOK IN THE MIRROR.
202
00:12:11,316 --> 00:12:14,116
CHEYENNE, HAVE YOU BEEN WAITING
THREE YEARS FOR THIS MOMENT?
203
00:12:14,920 --> 00:12:17,280
YES. DOESN'T FEEL
TOO GOOD, DOES IT?
204
00:12:19,358 --> 00:12:21,558
OKAY. IT'S NAP
TIME FOR ELIZABETH.
205
00:12:23,628 --> 00:12:25,862
HI, REBA.
206
00:12:25,931 --> 00:12:29,332
OH, BARBRA JEAN. YOU'RE NOT
BRINGING ME ANOTHER PITY PIE, ARE YA?
207
00:12:29,401 --> 00:12:32,769
NO. IT'S A QUICHE.
208
00:12:32,838 --> 00:12:35,137
IN "QUICHE" YOU'RE FEELING DOWN.
209
00:12:44,983 --> 00:12:48,952
BARBRA JEAN, I DON'T NEED
A QUICHE. I DON'T NEED A PIE.
210
00:12:49,020 --> 00:12:51,053
I JUST NEED TO BE ALONE.
211
00:12:51,122 --> 00:12:53,055
I UNDERSTAND. THANK YOU.
212
00:12:53,124 --> 00:12:55,358
OH, REBA.
213
00:12:55,427 --> 00:12:59,763
YOU JUST NEED TO KNOW THAT YOUR
BEING FIRED WAS NOT YOUR FAULT.
214
00:12:59,831 --> 00:13:03,499
MAYBE IT WAS. MAYBE
CHEYENNE'S RIGHT.
215
00:13:03,568 --> 00:13:06,047
IT DIDN'T MATTER THAT
THAT WAS A GOOD OFFER.
216
00:13:06,071 --> 00:13:08,716
- I SHOULD'VE KEPT
MY MOUTH SHUT.
- BUT IT WAS A GOOD OFFER.
217
00:13:08,740 --> 00:13:11,974
EXACTLY. BUT I COULDN'T
GET HIM TO SEE IT.
218
00:13:12,043 --> 00:13:13,970
AND THAT'S MY JOB
AS A REALTOR... TO
219
00:13:13,994 --> 00:13:16,379
PRESENT IT IN THE WAY
THAT HE CAN ACCEPT IT.
220
00:13:16,448 --> 00:13:19,182
MAYBE I WASN'T CUT
OUT FOR THIS. REBA,
221
00:13:19,250 --> 00:13:22,552
HE WOULDN'T HAVE ACCEPTED
THAT OFFER, NO MATTER WHAT IT WAS.
222
00:13:22,621 --> 00:13:25,421
HE'S NEVER GONNA
SELL IT. DON'T YOU GET IT?
223
00:13:25,490 --> 00:13:27,890
THAT'S HIS BACHELOR PAD.
224
00:13:27,959 --> 00:13:31,928
LITTLE CAVE HE CAN SCAMPER OFF TO
WHENEVER THINGS GET A LITTLE ROCKY AT HOME.
225
00:13:33,064 --> 00:13:35,142
BARBRA JEAN, THAT
CAN'T BE IT. REALLY?
226
00:13:35,166 --> 00:13:38,346
WELL, THEN WHY DID IT TAKE HIM
SO LONG TO PUT IT UP FOR SALE?
227
00:13:38,370 --> 00:13:42,204
AND... AND... AND WHY DID HE ASK
FOR SUCH AN UNREALISTIC SALES PRICE?
228
00:13:42,273 --> 00:13:44,841
AND... AND WHY DID HE HIRE...
229
00:13:44,910 --> 00:13:49,379
A COMPLETELY UNQUALIFIED
AMATEUR TO SELL THE PLACE?
230
00:13:53,251 --> 00:13:55,852
WHY DIDN'T I JUST STOP AT A BAR?
231
00:13:58,156 --> 00:14:00,156
AND LET'S FACE IT, REBA.
232
00:14:00,225 --> 00:14:02,792
HE IS STILL NOT COMMITTED
TO OUR MARRIAGE.
233
00:14:02,861 --> 00:14:05,973
- BARBRA JEAN, I DON'T THINK
THAT'S WHAT IT IS.
- WHAT ELSE COULD IT BE?
234
00:14:05,997 --> 00:14:09,899
WELL, OFF THE TOP OF MY HEAD,
HE'S CHEAP, GREEDY AND STUPID.
235
00:14:09,968 --> 00:14:13,470
YEAH, BUT HE WAS ALL OF THOSE THINGS
EVEN WHEN OUR MARRIAGE WAS GOOD.
236
00:14:13,538 --> 00:14:18,909
YEAH. YOU'RE RIGHT. HE WAS ALL THOSE
THINGS WHEN OUR MARRIAGE WAS GOOD.
237
00:14:18,977 --> 00:14:21,811
THERE'S SOMETHIN' ELSE, AND
I'M GONNA FIND OUT WHAT IT IS.
238
00:14:21,880 --> 00:14:24,581
- HOW WOULD YOU KNOW
HOW TO DO THAT?
- IT'S MY JOB TO KNOW.
239
00:14:24,650 --> 00:14:27,751
I'M A REALTOR. IN
"QUICHE" YOU DIDN'T KNOW.
240
00:14:35,260 --> 00:14:38,394
SO KYRA ENTERS FROM STAGE RIGHT.
241
00:14:39,431 --> 00:14:44,633
NO. KYRA ENTERS
FROM STAGE... LEFT.
242
00:14:44,702 --> 00:14:49,038
NO. KYRA DESCENDS FROM THE SKY.
243
00:14:52,844 --> 00:14:55,178
WHOA, WHOA, WHOA.
WHAT'S GOIN' ON?
244
00:14:55,247 --> 00:14:57,847
YOU GUYS HAVE ONLY BEEN
PRACTICING FOR THREE HOURS.
245
00:14:57,916 --> 00:15:01,484
ACTUALLY, WE WERE THINKING ABOUT
HITTING A MOVIE. WHAT? NO. MOVIES?
246
00:15:01,553 --> 00:15:04,064
GUYS, DON'T YOU REALIZE THERE
ARE MILLIONS OF KIDS OUT THERE,
247
00:15:04,088 --> 00:15:06,022
TRYIN' TO TAKE
YOUR PLACE ON MTV?
248
00:15:07,759 --> 00:15:10,860
I WANT YOU TO GO OUT THERE AND
PLAY UNTIL YOUR FINGERS BLEED!
249
00:15:10,929 --> 00:15:14,163
- I'LL BE OUT IN A MINUTE.
- GOLDBERG. GOLDBERG.
250
00:15:14,232 --> 00:15:16,632
I WANNA HEAR THOSE
DRUMS SING, MAN.
251
00:15:19,704 --> 00:15:21,337
LOVE YOU.
252
00:15:23,241 --> 00:15:26,076
SORRY I HAD TO COME DOWN
SO HARD ON THE BOYS, BUT, UH,
253
00:15:26,144 --> 00:15:28,111
ROCK MEANS HARD WORK.
254
00:15:28,179 --> 00:15:30,480
UNTIL WE GET ON THE
BUS. THEN IT'S PARTY TIME.
255
00:15:32,283 --> 00:15:35,351
LOOK, VAN. I THINK I'M
GONNA QUIT THE BAND.
256
00:15:35,420 --> 00:15:38,888
- I JUST DON'T KNOW
IF THIS IS WHAT I WANT.
- WHAT ARE YOU TALKIN' ABOUT?
257
00:15:38,957 --> 00:15:41,636
KYRA, I'VE SEEN YOU UP ON STAGE.
YOU DESERVE TO BE UP THERE.
258
00:15:41,660 --> 00:15:45,928
YOU DESERVE TO
DESCEND FROM THE SKY.
259
00:15:45,997 --> 00:15:48,831
NOW, WHAT'S GOIN' ON? IS IT
THE GUYS? ARE THEY JEALOUS?
260
00:15:48,900 --> 00:15:51,034
'CAUSE THEY CAN BE
REPLACED, YOU KNOW.
261
00:15:51,103 --> 00:15:54,537
EVERY LONG-HAIRED SLACKER
FAILING MATH WANTS TO BE IN A BAND.
262
00:15:54,606 --> 00:15:58,608
IT IS THE GUYS, BUT IT'S NOT
ME THEY HAVE A PROBLEM WITH.
263
00:15:58,677 --> 00:16:00,610
IT'S YOU.
264
00:16:05,016 --> 00:16:07,616
I'M SORRY?
265
00:16:07,685 --> 00:16:09,886
THEY THINK YOU'RE
CRAMPING OUR STYLE.
266
00:16:09,954 --> 00:16:13,589
WE STARTED PLAYING MUSIC BECAUSE WE LOVE
IT, BUT YOU'RE JUST TURNING IT INTO A JOB.
267
00:16:13,658 --> 00:16:16,259
THEY REALLY WANT ME GONE?
268
00:16:17,528 --> 00:16:19,662
AH, I SHOULD HAVE
SEEN THIS COMING,
269
00:16:19,731 --> 00:16:22,065
ESPECIALLY WHEN YOU
GUYS WROTE THAT SONG,
270
00:16:22,134 --> 00:16:24,534
"GET LOST, VAN."
271
00:16:26,771 --> 00:16:29,305
WELL, ANYWAY, I TOLD
THEM IF YOU GO, I GO.
272
00:16:29,374 --> 00:16:32,141
KYRA, THIS IS YOUR DREAM.
273
00:16:32,210 --> 00:16:36,545
AND... AND YOU NEED TO HOLD ON TO
THIS WITH EVERY FIBER OF YOUR BEING.
274
00:16:36,614 --> 00:16:38,614
TELL THE GUYS I'M GONE.
275
00:16:38,683 --> 00:16:40,950
YOU SURE? YEAH. YEAH.
276
00:16:41,019 --> 00:16:45,421
I SHOULD... I SHOULD PROBABLY
START HANGIN' OUT WITH MY WIFE.
277
00:16:50,896 --> 00:16:53,462
VAN.
278
00:16:54,800 --> 00:16:57,133
THANKS FOR BELIEVING IN ME.
279
00:16:57,202 --> 00:16:59,903
THANKS FOR BEING
WILLING TO QUIT THE BAND.
280
00:17:01,372 --> 00:17:03,732
YEAH, LIKE I WAS REALLY
GONNA QUIT THE BAND.
281
00:17:17,689 --> 00:17:21,690
THESE ARE THE COMPS THAT SHOW I GOT A
BETTER OFFER THAN ANY CONDO IN THIS AREA.
282
00:17:21,759 --> 00:17:23,960
- YEAH. BETTER.
- YOU SHOULD'VE LISTENED TO ME.
283
00:17:24,028 --> 00:17:26,095
- SHOULD'VE LISTENED.
- BARBRA JEAN, I'M TELLIN' IT.
284
00:17:26,164 --> 00:17:28,565
SHE'S TELLIN' IT.
285
00:17:28,633 --> 00:17:30,816
I DON'T CARE WHAT
ANYONE ELSE GOT. IF I DON'T
286
00:17:30,840 --> 00:17:32,802
LIKE THE OFFER, I
DON'T HAVE TO TAKE IT.
287
00:17:32,871 --> 00:17:36,049
- BUT I LIKE THE OFFER,
AND I WANNA TAKE IT.
- SHE WANTS TO TAKE IT.
288
00:17:36,073 --> 00:17:38,441
- REBA, I'M TELLIN' IT.
- HONEY.
289
00:17:38,509 --> 00:17:42,011
LOOK. I DON'T THINK YOU UNDERSTAND
WHAT'S GOIN' ON HERE. OH. OH, I THINK I DO.
290
00:17:42,080 --> 00:17:45,160
YOU DON'T WANT TO SELL YOUR
BACHELOR PAD, DO YA, SLICK?
291
00:17:47,218 --> 00:17:50,219
WHY IN THE WORLD WOULD I
NEED A BACHELOR PAD? I'M MARRIED.
292
00:17:50,288 --> 00:17:51,687
WELL, THEN WHY?
293
00:17:51,756 --> 00:17:55,458
I... DON'T KNOW
IF I CAN EXPLAIN IT.
294
00:17:55,527 --> 00:17:57,460
WELL, YOU BETTER EXPLAIN IT.
295
00:17:57,529 --> 00:18:00,407
OTHERWISE BARBRA JEAN AND I AREN'T
GONNA GIVE YOU A MOMENT'S PEACE.
296
00:18:00,431 --> 00:18:01,675
WHY, BROCK? WHY, BROCK?
297
00:18:01,699 --> 00:18:03,344
WHY, BROCK? WHY, BROCK?
298
00:18:03,368 --> 00:18:06,002
ALL RIGHT. ALL RIGHT. WOW.
299
00:18:08,139 --> 00:18:10,339
WE'RE BROKE.
300
00:18:10,408 --> 00:18:12,007
WHAT?
301
00:18:12,076 --> 00:18:15,545
WE OWE MORE ON THE CONDO
THAN IT'S WORTH. ALL RIGHT?
302
00:18:15,613 --> 00:18:18,113
WHEN I STARTED GOLFING
PROFESSIONALLY, I...
303
00:18:18,182 --> 00:18:21,851
I NEEDED SOME EXTRA INCOME, SO I TOOK
OUT A SECOND MORTGAGE ON THE PLACE.
304
00:18:21,920 --> 00:18:23,871
I FIGURED I'D START PAYIN'
IT BACK WHEN I STARTED
305
00:18:23,895 --> 00:18:25,588
WINNING. AND STOP
LOOKING AT ME LIKE THAT.
306
00:18:25,657 --> 00:18:27,590
IT'S VERY EASY TO
JUDGE IN HINDSIGHT!
307
00:18:28,793 --> 00:18:31,427
WELL, IF THIS AIN'T A
SHINOLA SANDWICH.
308
00:18:32,697 --> 00:18:34,697
HONEY, YOU SHOULD'VE TOLD ME.
309
00:18:34,766 --> 00:18:36,699
IT'S ONLY MONEY.
310
00:18:36,768 --> 00:18:39,202
WE CAN SURVIVE THIS.
311
00:18:39,270 --> 00:18:41,403
AS LONG AS WE'RE NOT BROKE.
312
00:18:41,472 --> 00:18:47,243
BARBRA JEAN, WE
ARE OUT OF MONEY.
313
00:18:47,312 --> 00:18:50,146
OH, FOR PETE'S SAKE!
314
00:18:50,215 --> 00:18:52,215
SHE MEANS IT'S A
METAPHOR OF YOUR LOVE.
315
00:18:52,284 --> 00:18:54,550
YEAH. WHATEVER.
WE'RE STILL BROKE.
316
00:18:54,619 --> 00:18:56,652
OH! ANYWAY,
317
00:18:56,721 --> 00:18:59,922
UNTIL WE CAN COME UP WITH ENOUGH
MONEY TO COVER THE COST OF THE LOAN,
318
00:18:59,991 --> 00:19:01,969
WE CAN'T SELL THE CONDO, OKAY?
319
00:19:01,993 --> 00:19:05,128
I'M SORRY, REBA. I NEVER SHOULD'VE
PUT YOU THROUGH ALL THAT.
320
00:19:05,196 --> 00:19:07,230
AH, IT'S ALL RIGHT.
IT'S MOSTLY MY FAULT.
321
00:19:07,299 --> 00:19:10,339
I SHOULD'VE SHOT YOU WHEN
I CAUGHT YOU CHEATIN' ON ME.
322
00:19:16,041 --> 00:19:18,007
HEY. GUESS WHAT, GUYS.
323
00:19:18,076 --> 00:19:20,509
I'VE GOT GREAT NEWS. GREAT.
324
00:19:20,579 --> 00:19:22,545
WE DO HAVE THE MONEY.
325
00:19:23,614 --> 00:19:25,714
WHAT? UH-HUH.
326
00:19:25,783 --> 00:19:27,783
WHEN I THOUGHT WE
WERE GETTING A DIVORCE,
327
00:19:27,852 --> 00:19:29,986
I STARTED HIDING
SOME OF OUR ASSETS.
328
00:19:32,057 --> 00:19:34,101
YOU WERE STEALING MONEY FROM ME?
329
00:19:34,125 --> 00:19:36,726
NO.
330
00:19:37,862 --> 00:19:41,764
I WAS PROTECTING MONEY FROM YOU.
331
00:19:41,833 --> 00:19:44,767
AND YOU'RE WELCOME.
332
00:19:44,836 --> 00:19:48,070
THAT'S BRILLIANT. WHY
DIDN'T I DO THAT? YEAH.
333
00:19:49,374 --> 00:19:51,334
WELL,
334
00:19:51,376 --> 00:19:54,610
EXACTLY HOW MUCH MONEY
DID YOU PROTECT FROM ME?
335
00:19:56,514 --> 00:19:59,615
WELL, EXACTLY...
336
00:19:59,684 --> 00:20:01,750
HOW MUCH DO WE NEED?
337
00:20:03,721 --> 00:20:07,957
TWENTY... FIVE THOUSAND?
338
00:20:08,026 --> 00:20:10,960
OH, MY GOSH! WHAT A COINCIDENCE.
339
00:20:12,763 --> 00:20:16,432
WAIT A MINUTE. WAIT A MINUTE. DOES THAT
MEAN THAT YOU'RE GONNA TAKE THE OFFER?
340
00:20:16,501 --> 00:20:21,036
WELL, WE'RE GONNA HAVE TO HAVE A
LITTLE TALK, BUT YES, I... I THINK IT DOES.
341
00:20:21,105 --> 00:20:23,472
OH, YES! I DID IT! I
MADE MY FIRST SALE!
342
00:20:23,541 --> 00:20:26,741
HEY. YOU GUYS DON'T WANNA SELL YOUR
OTHER HOUSE, DO YA, MOVE FAR AWAY?
343
00:20:28,780 --> 00:20:32,848
OH, REBA, YOU ARE SUCH
A KIDDER. NO, I'M SERIOUS.
344
00:20:32,917 --> 00:20:36,185
I CAN FIND SOMEBODY TO BUY IT. IF
I HAD THE MONEY, I'D BUY IT MYSELF.
345
00:20:36,254 --> 00:20:37,954
HOW MUCH DO YOU NEED?
346
00:20:41,526 --> 00:20:43,526
OH, MY GOSH!
347
00:20:43,595 --> 00:20:45,628
DOES THIS PLACE
HAVE AN UPSTAIRS?
348
00:21:20,465 --> 00:21:23,399
ACME!